Structures in Drama戏剧里的结构戲劇裡的結構 · 22 / 23
Gerald Demands a Wedding. His Mother Is the One Who Refuses.
杰拉尔德要父亲兑现婚约,母亲却说:拒绝的是我
傑拉爾德要父親兌現婚約,母親卻說:拒絕的是我
A Woman of No Importance · Oscar Wilde
无足轻重的女人 · 奥斯卡·王尔德
無足輕重的女人 · 奧斯卡·王爾德
A son has written the remedy for an old wrong into a letter. His mother must explain why yesterday's promise is not today's consent.
那封信替母亲安排好了公道,却没有问她是否还想走进当年的答案。
那封信替母親安排好了公道,卻沒有問她是否還想走進當年的答案。
These readings discuss key scenes and endings. They read the plays, not particular stage or screen productions.
本系列涉及关键剧情与结局,阅读对象是剧本文本,而非某一场舞台演出或影视改编。
本系列涉及關鍵劇情與結局,閱讀對象是劇本文本,而非某一場舞台演出或影視改編。
Gerald has put the letter in its envelope and written the address. He is about to seal it when his mother enters. He sets down the wax, and they look at one another. The letter's purpose seems clear to him: his father is to come at four that afternoon and marry his mother within days. She hears the visitor's name and forbids him to cross the threshold.
The room has just been admired by two callers. Its flowers and respectable pictures testify, in their eyes, to Mrs Arbuthnot's good influence. Hearing that Gerald has declined a position as Lord Illingworth's secretary, Lady Hunstanton regrets that he has no father to guide him. She does not know what he learned the night before: Illingworth is his father, and the mother being praised was the young woman he betrayed.
In the final act of Oscar Wilde's A Woman of No Importance, Gerald has given up the professional future that so recently excited him. He will not leave his mother to accompany Illingworth. Instead, he wants the man to return in another capacity. No longer the patron who can transform the son's prospects, he is to become the husband who repairs the mother's past.
When Gerald explains, his assurances keep overtaking her attempts to speak. He will insist. He will compel the marriage. Illingworth will not dare refuse. Eventually she identifies the refusal he has not considered: “it is I who refuse.” Gerald is astonished. How can the person for whom he is obtaining justice decline what is owed?
He explains that the marriage is not for his own sake. It will not give him a name rightfully his. At least, however, it can make his mother the wife of his father. He has abandoned a desirable position and recognises that a late marriage cannot erase everything. His error is subtler than simple concern for appearances. He sees the wrong clearly enough to demand a remedy, but considers the remedy too obvious to require her consent.
Twenty years earlier, she wanted this marriage. She had left home believing a promise. As the wedding was postponed, she continued to hope; before her child's birth she pleaded again. Illingworth refused. Afterwards she took the baby and left. That history explains why Gerald thinks of marriage as an obligation still awaiting fulfilment.
But his mother has lived through the intervening years. She has raised him, concealed what happened, and endured a life restricted by shame. She no longer loves the man she once begged to marry. The person who wanted the promise kept has not remained at the moment of its breaking, waiting for her son to grow old enough to enforce it.
Gerald treats the past as though it contains an answer that can still be delivered intact. His mother would have to stand inside that answer now. She would speak vows and enter a relationship. What was wrongfully denied then need not become something she must accept today. Refusing the marriage does not excuse its earlier refusal.
He still imagines that she doubts Illingworth's willingness. If the man asked her himself, surely her answer would change. She says it would not. Gerald offers another plan: the wedding first, then mother and son can go away together. He even calls it a duty to other women, a means of preventing further betrayals. The demand intended for the wrongdoer has begun to descend on the injured person.
Their shared religion also yields different answers. Gerald invokes the belief she taught him as evidence that marriage is the proper course. She invokes it to reject vows she could not truthfully make. She cannot promise love to someone she loathes, or honour the man who dishonoured her child. Having hidden the truth from society to protect her son, she refuses another falsehood before God for the sake of her reputation.
Her refusal has not liberated her from every judgment that confined her. She still calls herself tainted and unfit for respectable company. She tells Gerald how she remained indoors while he went out. The sickroom and church work seemed to offer places she could enter; the happier parts of social life did not. The room admired by the visitors begins to reveal the restrictions that helped produce its respectability.
Her attachment to her son is intense and fearful. She knows his life may increasingly take him elsewhere. These complications make her a person rather than a model of perfect independence. They do not invalidate her answer about marriage. Gerald is moved by what she tells him and promises to be a better son, then insists once again that she must marry. Greater sympathy has not yet altered his proposed action.
Hester comes forward and embraces Mrs Arbuthnot. The previous night, Gerald protected her from Illingworth's advances. She asks how he regards the man who is his father and recalls that protection. Gerald repeatedly asks what he should do. She directs him to his own heart. At last he kneels beside his mother and asks forgiveness.
Reconciliation is not instantaneous. Mrs Arbuthnot speaks of her injured heart. Hester urges kindness towards the son; Gerald, unable to obtain an immediate reassuring response, calls his mother cruel and weeps. Her refusal was hard for them to hear. Now the time she needs to recover closeness proves difficult too. Hester's praise of her suffering is loving, but it risks giving her another obligation to be generous.
More practical possibilities also enter with Hester. She has wealth to share. She retracts the earlier judgment that visited the parents' sins upon their children. She and Gerald want Mrs Arbuthnot with them. Leaving acquires material conditions: money, companions, and someone prepared to change her mind about this family. A better life elsewhere remains a hope, but no longer an unsupported instruction to be brave.
When the young people go into the garden, Illingworth arrives. Despite Mrs Arbuthnot's refusal to receive him, he enters and proposes money for Gerald and an arrangement dividing the son's year between his parents. Marriage is not part of his plan. The mother directs his attention to the garden. His offer is no longer the only conceivable future.
Then he finds the letter. It was never sent. She asks him to return it and explains that Gerald wrote before their conversation and regrets it now. Illingworth claims it as the addressee's property and reads it. The demand remains on paper after the person who wrote it has changed his mind. Illingworth offers marriage, not as an admitted obligation, but as the price he will pay to obtain his son.
The proposal Gerald imagined has therefore arrived. Mrs Arbuthnot refuses it. At the end of the encounter, Illingworth humiliates her with their past and the status of their child. She strikes him with his glove. After he leaves, she breaks down. Being able to reject him has not made her impervious to him.
Hester and Gerald return without knowing what has happened. Hester asks to be her daughter; Mrs Arbuthnot asks whether she would really choose her. Their embrace offers a different starting point from the morning's letter. She need not first become this man's wife before another life can begin. Someone is willing to meet her where she has already arrived.
杰拉尔德已经把信装进信封,写好地址,正要封口,母亲进来了。他放下封蜡,两个人看着对方。信里要办的事情,他认为再明白不过:请父亲下午四点到这里来,在几天之内与母亲结婚。可是母亲听说来客的名字,首先说的是不许他跨进这所房子。儿子只好解释,自己不是要跟父亲走,而是要替她讨回公道。
片刻以前,两位来访的贵妇还在赞美这个家。房间里有鲜花和端正的书画,她们从每一件陈设里都看见女主人的好影响。听说杰拉尔德放弃给伊林沃思勋爵做秘书的机会,其中一位便惋惜:要是他有父亲,就不会任他这样浪费前程。她不知道,这个被她惋惜为没有父亲的青年,昨晚刚发现伊林沃思正是自己的父亲;那位她不断称赞的母亲,也正是二十年前被他辜负的人。客人走过花园时还不忘回头,催青年照自己的建议赶快动身。屋里的信却是为了另一件事写的。
王尔德的《无足轻重的女人》把这场谈话放在最后一幕。昨晚以前,杰拉尔德以为自己遇见了一位赏识他的贵人,母亲的阻拦使他难以理解;真相揭开以后,他已经不愿再接受那份工作。如今,他仍然想让这个人回来,只是要换一种身份回来。父亲不再是可以把自己带进新生活的人,而是必须把母亲失去的东西还给她的人。
母亲听见结婚,几次想开口,都被儿子的保证接了过去。他会坚持,他会迫使对方做到,对方不敢拒绝。终于,母亲把他们真正的分歧说了出来:“杰拉尔德,是我拒绝。”他愣住了。自己正在为她争取一件欠了二十年的事,怎么会从她这里听见不愿意?他马上补充,这场婚姻并不是为自己着想,也不能给自己一个真正属于自己的姓氏;至少,它可以使母亲成为父亲的妻子。
他已经为母亲放弃一份向往的前程,也知道迟来的婚姻不能抹掉过去。他反复说的是,至少可以让母亲的以后好一点。难处恰好在这个好一点上:他能看见过去的不公,却把如何修补看成一件无需再问的问题。信里已有时间、对象和要求,接下来仿佛只差父亲服从;母亲的意见却到此刻才第一次进入安排。
二十年前,她的确想过嫁给这个人。她还很年轻,因为相信承诺而跟他离家,在孩子出生前又恳求过他。他把婚事一拖再拖,最后拒绝了。孩子出生以后,她带着孩子离开。这样的旧事,足以解释儿子为什么认定婚姻仍是所欠之物;但那时恳求成婚的女子,没有把自己停在那一天,等他长大以后回来处理。她抚养过孩子,藏过往事,独自过完许多不愿被人看见的日子,也不再爱那个自己曾经急切盼望嫁给的人。
儿子想从过去找到一个尚未执行的答案,母亲却必须在今天站进那个答案里。她将要亲口说出誓词,承认一段关系,不是从别人手里收回一件保存完好的失物。当年她没有得到婚姻,确是一项伤害;今天仍然不愿结婚,却不需要靠否认那项伤害才能成立。她可以说,那时你不该这样待我,同时也可以说,现在我不愿成为你的妻子。
杰拉尔德听见的仍像是母亲不信父亲肯来。他设想,如果父亲亲自求婚,她会给出另一个回答。母亲说不会。他又提出,结婚以后他们母子照样可以一起离开,但婚礼必须先举行;这甚至是她对其他女人的责任,可以阻止这个人再去伤害别人。原来用来要求父亲承担后果的语气,逐渐落到了母亲身上。为了让伤害得到纠正,她又被分配了一件必须做的事。
她的拒绝,也有自己从前信念的根。儿子提醒她,是她教自己相信宗教,现在应当知道婚姻才是正当的办法。母亲却说,正因为有信仰,她不能站在祭坛前,发誓爱自己憎恨的人、尊敬使儿子受辱的人。为了保护孩子,她已经向世人隐瞒了二十年,但不能为了自己的名声,再向上帝说一套自己不相信的话。同一份信仰,在儿子那里要求把礼仪补上,在母亲这里却要求她不要虚假地完成礼仪。
说到这里,她仍认为自己受了玷污,仍觉得不配进入那些体面的家庭。她告诉儿子,自己并非不喜欢生活中的快事,只是不敢去碰;在他出门交朋友时,她关上门,把自己留在屋里。他以为她天性喜欢照顾病人、处理教会事务,她却说,那些地方至少还容许自己进去。这番话使房间里刚才受到赞美的端正,有了客人不曾看见的另一面。
她把太多爱放在儿子身上,也害怕他的生活渐渐不再需要自己。这份依恋并不轻松。可她不必先成为一个毫无矛盾、不会使儿子为难的母亲,才有资格拒绝那场婚姻。杰拉尔德听完她的经历,答应做一个更好的儿子,又立刻回到原来的结论:她还是必须嫁。疼惜已经增加,他为母亲决定的事情却没有改变。
海丝特这时走上前,抱住母亲。这位与杰拉尔德相爱的年轻女子,昨晚曾求他保护自己,免受伊林沃思的侵犯;现在,她让他回想,自己既然鄙视这个人,为什么仍要求母亲嫁给他。杰拉尔德几次追问该怎么办,她没有替他再写一封信,而是让他问自己的心。他终于走过去,跪在母亲身边认错。
这一刻没有使三个人立刻安稳下来。母亲仍说自己的心受了伤,海丝特已经劝她体谅儿子;杰拉尔德得不到马上回应,又哭着说母亲残忍。刚才母亲的拒绝难以被听见,现在连她恢复亲近所需的时间,也不容易得到。海丝特把她说成值得敬奉的受难者,出于爱护,却未必就能替她卸下必须宽厚、必须安慰别人的重担。
海丝特真正带来的改变,还在那些热烈的话以外。母亲说他们贫穷,她愿意分享自己的财富;母亲重复她昨晚关于父母之罪应由孩子承受的判断,她承认自己说错了。她愿意与他们离开,也愿意让母亲一起生活。关于海外更公正的希望尚未得到验证,离开的条件却不再只是勇敢。钱、同行的人,以及有人愿意修改对他们的看法,都在场了。母亲仍怕给年轻人带来羞耻,得到邀请后才答应靠近他们。
两位年轻人先去了花园,母亲留在房中。伊林沃思偏偏在这时来了。她已经吩咐不见,他仍走进来,要谈一项适合三个人的安排:给儿子财产,让儿子每年一半时间跟母亲、一半时间跟自己。他还没有结婚的打算。母亲让他看看花园,他才知道自己所许诺的前程不再是唯一的去路。他依然想要这个儿子,随后看见了桌上的信。
信没有寄出,也没有撕毁。母亲请他归还,解释那是杰拉尔德同自己谈话以前写的,儿子已经后悔;他却以收信人的身份拆开,慢慢读下去。纸上的要求还在,说话的人已经改变了主意,而读信的人正想让旧要求重新生效。他不承认自己有结婚的义务,却表示,为了得到儿子,他愿意娶她。
这正是杰拉尔德先前设想过的情形:父亲亲自来了,也真的说愿意结婚。母亲提醒他,这个承诺曾被打破;他保证这一次会守住,还谈到自己为此要放弃哪些野心。她仍然拒绝。婚姻被提出时已不再是她曾经请求的那一种相守,连提婚的人也把它放在获得儿子的条件里。儿子想替她赢得的答案到了,却没有因此成为她必须接受的答案。
他最后拿往日的亲密与母子的身份羞辱她,她抓起他的手套打向他的脸。他离开,她倒在沙发上哭泣。这不是一个从此不再受他影响的人,轻巧地结束了一场无关紧要的会面。可是,仍然会被旧人伤到,与还需要嫁给旧人,已经在她的行动里分开了。拒绝这场婚姻,没有替当年的抛弃开脱,也没有要求她先把痛苦全数处理干净。
儿子与海丝特回来找她时,并不知道屋里刚才发生了什么。海丝特再次问,是否可以做她的女儿;母亲反问,她真的愿意选择自己吗。得到回答以后,两人相拥向花园的门走去。早晨那封信打算先把她变成一个男人的妻子,再让以后的生活开始;眼前的人却愿意从她已经走到的地方,邀她一起生活。她不必先完成那场错过的婚礼,才有一个可以答应的明天。
傑拉爾德已經把信裝進信封,寫好地址,正要封口,母親進來了。他放下封蠟,兩個人看著對方。信裡要辦的事情,他認為再明白不過:請父親下午四點到這裡來,在幾天之內與母親結婚。可是母親聽說來客的名字,首先說的是不許他跨進這所房子。兒子只好解釋,自己不是要跟父親走,而是要替她討回公道。
片刻以前,兩位來訪的貴婦還在讚美這個家。房間裡有鮮花和端正的書畫,她們從每一件陳設裡都看見女主人的好影響。聽說傑拉爾德放棄給伊林沃思勳爵做秘書的機會,其中一位便惋惜:要是他有父親,就不會任他這樣浪費前程。她不知道,這個被她惋惜為沒有父親的青年,昨晚剛發現伊林沃思正是自己的父親;那位她不斷稱讚的母親,也正是二十年前被他辜負的人。客人走過花園時還不忘回頭,催青年照自己的建議趕快動身。屋裡的信卻是為了另一件事寫的。
王爾德的《無足輕重的女人》把這場談話放在最後一幕。昨晚以前,傑拉爾德以為自己遇見了一位賞識他的貴人,母親的阻攔使他難以理解;真相揭開以後,他已經不願再接受那份工作。如今,他仍然想讓這個人回來,只是要換一種身分回來。父親不再是可以把自己帶進新生活的人,而是必須把母親失去的東西還給她的人。
母親聽見結婚,幾次想開口,都被兒子的保證接了過去。他會堅持,他會迫使對方做到,對方不敢拒絕。終於,母親把他們真正的分歧說了出來:「傑拉爾德,是我拒絕。」他愣住了。自己正在為她爭取一件欠了二十年的事,怎麼會從她這裡聽見不願意?他馬上補充,這場婚姻並不是為自己著想,也不能給自己一個真正屬於自己的姓氏;至少,它可以使母親成為父親的妻子。
他已經為母親放棄一份嚮往的前程,也知道遲來的婚姻不能抹掉過去。他反復說的是,至少可以讓母親的以後好一點。難處恰好在這個好一點上:他能看見過去的不公,卻把如何修補看成一件無需再問的問題。信裡已有時間、對象和要求,接下來彷彿只差父親服從;母親的意見卻到此刻才第一次進入安排。
二十年前,她的確想過嫁給這個人。她還很年輕,因為相信承諾而跟他離家,在孩子出生前又懇求過他。他把婚事一拖再拖,最後拒絕了。孩子出生以後,她帶著孩子離開。這樣的舊事,足以解釋兒子為什麼認定婚姻仍是所欠之物;但那時懇求成婚的女子,沒有把自己停在那一天,等他長大以後回來處理。她撫養過孩子,藏過往事,獨自過完許多不願被人看見的日子,也不再愛那個自己曾經急切盼望嫁給的人。
兒子想從過去找到一個尚未執行的答案,母親卻必須在今天站進那個答案裡。她將要親口說出誓詞,承認一段關係,不是從別人手裡收回一件保存完好的失物。當年她沒有得到婚姻,確是一項傷害;今天仍然不願結婚,卻不需要靠否認那項傷害才能成立。她可以說,那時你不該這樣待我,同時也可以說,現在我不願成為你的妻子。
傑拉爾德聽見的仍像是母親不信父親肯來。他設想,如果父親親自求婚,她會給出另一個回答。母親說不會。他又提出,結婚以後他們母子照樣可以一起離開,但婚禮必須先舉行;這甚至是她對其他女人的責任,可以阻止這個人再去傷害別人。原來用來要求父親承擔後果的語氣,逐漸落到了母親身上。為了讓傷害得到糾正,她又被分配了一件必須做的事。
她的拒絕,也有自己從前信念的根。兒子提醒她,是她教自己相信宗教,現在應當知道婚姻才是正當的辦法。母親卻說,正因為有信仰,她不能站在祭壇前,發誓愛自己憎恨的人、尊敬使兒子受辱的人。為了保護孩子,她已經向世人隱瞞了二十年,但不能為了自己的名聲,再向上帝說一套自己不相信的話。同一份信仰,在兒子那裡要求把禮儀補上,在母親這裡卻要求她不要虛假地完成禮儀。
說到這裡,她仍認為自己受了玷污,仍覺得不配進入那些體面的家庭。她告訴兒子,自己並非不喜歡生活中的快事,只是不敢去碰;在他出門交朋友時,她關上門,把自己留在屋裡。他以為她天性喜歡照顧病人、處理教會事務,她卻說,那些地方至少還容許自己進去。這番話使房間裡剛才受到讚美的端正,有了客人不曾看見的另一面。
她把太多愛放在兒子身上,也害怕他的生活漸漸不再需要自己。這份依戀並不輕鬆。可她不必先成為一個毫無矛盾、不會使兒子為難的母親,才有資格拒絕那場婚姻。傑拉爾德聽完她的經歷,答應做一個更好的兒子,又立刻回到原來的結論:她還是必須嫁。疼惜已經增加,他為母親決定的事情卻沒有改變。
海絲特這時走上前,抱住母親。這位與傑拉爾德相愛的年輕女子,昨晚曾求他保護自己,免受伊林沃思的侵犯;現在,她讓他回想,自己既然鄙視這個人,為什麼仍要求母親嫁給他。傑拉爾德幾次追問該怎麼辦,她沒有替他再寫一封信,而是讓他問自己的心。他終於走過去,跪在母親身邊認錯。
這一刻沒有使三個人立刻安穩下來。母親仍說自己的心受了傷,海絲特已經勸她體諒兒子;傑拉爾德得不到馬上回應,又哭著說母親殘忍。剛才母親的拒絕難以被聽見,現在連她恢復親近所需的時間,也不容易得到。海絲特把她說成值得敬奉的受難者,出於愛護,卻未必就能替她卸下必須寬厚、必須安慰別人的重擔。
海絲特真正帶來的改變,還在那些熱烈的話以外。母親說他們貧窮,她願意分享自己的財富;母親重復她昨晚關於父母之罪應由孩子承受的判斷,她承認自己說錯了。她願意與他們離開,也願意讓母親一起生活。關於海外更公正的希望尚未得到驗證,離開的條件卻不再只是勇敢。錢、同行的人,以及有人願意修改對他們的看法,都在場了。母親仍怕給年輕人帶來羞恥,得到邀請後才答應靠近他們。
兩位年輕人先去了花園,母親留在房中。伊林沃思偏偏在這時來了。她已經吩咐不見,他仍走進來,要談一項適合三個人的安排:給兒子財產,讓兒子每年一半時間跟母親、一半時間跟自己。他還沒有結婚的打算。母親讓他看看花園,他才知道自己所許諾的前程不再是唯一的去路。他依然想要這個兒子,隨後看見了桌上的信。
信沒有寄出,也沒有撕毀。母親請他歸還,解釋那是傑拉爾德同自己談話以前寫的,兒子已經後悔;他卻以收信人的身分拆開,慢慢讀下去。紙上的要求還在,說話的人已經改變了主意,而讀信的人正想讓舊要求重新生效。他不承認自己有結婚的義務,卻表示,為了得到兒子,他願意娶她。
這正是傑拉爾德先前設想過的情形:父親親自來了,也真的說願意結婚。母親提醒他,這個承諾曾被打破;他保證這一次會守住,還談到自己為此要放棄哪些野心。她仍然拒絕。婚姻被提出時已不再是她曾經請求的那一種相守,連提婚的人也把它放在獲得兒子的條件裡。兒子想替她贏得的答案到了,卻沒有因此成為她必須接受的答案。
他最後拿往日的親密與母子的身分羞辱她,她抓起他的手套打向他的臉。他離開,她倒在沙發上哭泣。這不是一個從此不再受他影響的人,輕巧地結束了一場無關緊要的會面。可是,仍然會被舊人傷到,與還需要嫁給舊人,已經在她的行動裡分開了。拒絕這場婚姻,沒有替當年的拋棄開脫,也沒有要求她先把痛苦全數處理乾淨。
兒子與海絲特回來找她時,並不知道屋裡剛才發生了什麼。海絲特再次問,是否可以做她的女兒;母親反問,她真的願意選擇自己嗎。得到回答以後,兩人相擁向花園的門走去。早晨那封信打算先把她變成一個男人的妻子,再讓以後的生活開始;眼前的人卻願意從她已經走到的地方,邀她一起生活。她不必先完成那場錯過的婚禮,才有一個可以答應的明天。
Text & sources文本与来源文本與來源
This essay centres on Act IV of A Woman of No Importance, with reference to Acts II and III, and discusses the ending. It follows Project Gutenberg eBook 854, whose front matter identifies Methuen's eighth edition of 1919. Statements about names and marriage are treated as the characters' arguments within the play.
本文以《无足轻重的女人》第四幕为中心,参照第二、三幕前史,涉及结尾。采用 Project Gutenberg eBook 854 所收英文文本,书前标示 Methuen 1919年第八版。中文对白为译述,短句为自译;人物关于姓名与婚姻的说法按剧内立场理解。
本文以《無足輕重的女人》第四幕為中心,參照第二、三幕前史,涉及結尾。採用 Project Gutenberg eBook 854 所收英文文本,書前標示 Methuen 1919年第八版。中文對白為譯述,短句為自譯;人物關於姓名與婚姻的說法按劇內立場理解。